Are They Still Here

Virtual Premiere
October 2021

Dear Brooklyn,

These days your air is thick with water, humid heat, in the best way. It moisturizes my skin, makes my curls soft, envelops me into this underbelly of cicada beats and pigeon coos. I am melting into you, into the familiarity of the bodega guy who just quit smoking weed, into the backyards of restaurants that serve delightfully chilled rosé. I am a child of your streets, the rules are yours and I happily follow them. To feel like this is a home is a new thing for me. I have favorites, preferences. I host friends and family and empty full glass bottles of spirits before sunrise. I read on the rugs and clean up watermelon juice. I’m becoming accustomed to sweat and broken windows. Learning the sunlight streams and how they affect Amanda, Evangeline, Helen, little plants with a chance.

I’ve learned love here. I’ve fallen in love in this city three times over, each time Brooklyn painting new back drops to my tattered journey. Never judging, always supplying.

There are days when I get lost in its sauce, just floating, being warm, relaxing, not opening my work computer, ignoring all notifications, absorbing this life energy straight into my marrow, unsure how to snap back into a productive reality because it feels so comfortable here. How am I supposed to focus? This summer is my breath, is my usage of seconds by choice, and I want to dwell in its epicenter as long as possible. Emails feel far away. My hallways smell of mezcal, roses, incense, cologne. I want nothing but to lie in soft sheets and experience this, my piece of this Earth, a place I can finally call my own.

These halls where I create life, where smiles and pours are never too far, where we linger before being shoved back into the places where people expect our responsible selves.

I have sourced love here, and I refuse to leave it.

Forever,

Selah

Dear Hartsfield-Jackson International Airport,

Our encounters were once so frequent. A hub for joy, reuniting lovers and friends, a transportation spectacle. But I know the real you. I know your AirTrains, the workers at the Popeyes, the menacing line of ants crawling at your entrance. I know the T terminal, the average waiting times at south security. I miss the poster of the wildly diverse group of children that wave at you as you come up the escalator. There was a black girl in the front! That’s how I knew I was home. And I miss the surge of excitement seeing the line of faces populate over the edge of the escalator, people scrambling towards their loved ones. Kids, and sometimes not kids, ducking under the divider running towards someone arriving, fresh to Atlanta soil. I loved your air conditioning—the distinct difference between your cool corridors and my dear muggy College Park.

People talk about you like you’re famous. And you change, but for the most part, I still recognize you.

Fondly,
Selah

Dear Spelman,

This note is long overdue. I’m sorry I left you.
You connected me to my roots long before I knew I had any.

Love,
Selah

Dear Catahoula,

It is almost funny how sweet life tastes right now. The feeling of a soft summer morning, finding a peach you thought was being digested by your brother, all of the locks turning smoothly, signaling the universe’s warm welcome to your soul in the daylight.

Stand in this. Be this. Plastic bags filled with water nailed to the roof, draw mosquitoes from your sweet blood to their untimely demise. What relief that gives you. You are familiar with the strange fact that things must perish for you to survive. This land tells that story daily. You are the culmination of the whispers from the trees, swaying in sorrow and sobriety.

In that way, you are a disappointment to some who have trodden this path. And a glint of excitement to others. There are generational curses that run deep, spirits possessed by spirits, and you have decided to try your luck. To dance with the demons that captured your grandfathers,  to fantasize about the juke joint as if you recognized its piano keys. The wine you drink is not sacrament, it is pooch, it is ripple, it is bathtub moonshine made from the same grains older ancestors were forced to handle with their hands.

And you speak to them all. You call their names in this tall grass, and you sing your love. Who could you be if not all of the God particles from both the saints’ and sinners’ mouths?

Yours,
Selah

7/8/21 (Untitled)

Chasm between
Here then and here now
We only imagine the flowers
They picked in dreams of rest
Singing down by the river side
I remember across the silence
Stringing together beads of optimism
Propped up by trees and half eaten
Hopes
This is brave good valiant work
We tell ourselves
Standing at their graves
Weeping for recipes
Erased off floor boards
Cream colored walls sprinkled with glitter
Shag carpets and plastic lined couches 

In sorrows of lash and wanting
Fear of holding tight
When air promised to be thick
And warm at night
Like a man who tells you all will be well
Trusting delusion as a seed
Planted in mind and womb
Sprung forth from a sick man’s tongue

Come here and collect
Remnants of truths
Scattered corn bread crumbs
Cow peas and collards
Okra slipping through worn fingers
Stir up the pot 
Torn and washed memories
Blown on the clothing line
This is the story
Of many many ancestors
Many many times again

Our work is mending blankets ripped at the seams, quilting heirlooms 
and calling it home.

Credits
Directed and filmed by Ogemdi Ude

Featuring performances, writings, and creative offerings from:
Selah V. Hampton
Rochelle Jamila Wilbun
Kadie


Music by David Sahar
Footage edited by Chidozie Ekwensi

Are They Still Here is made possible in part with public funds from Creative Engagement, supported by the New York City Department of Cultural Affairs in partnership with the City Council and administered by LMCC.